Robert Arneson

Playing Dirty

November 1 – December 21, 2012

Robert Arneson
Untitled (Form with Gray Handle), 1964
Ceramic with glaze
11 x 9 x 10 inches

Robert Arneson
Untitled (Footed Vessel with Blue and White Glaze)
Circa 1964
Ceramic with glaze

Robert Arneson
Untitled Ceramic (with Blue Glazed Pyramid)
1964
Ceramic with glaze

Robert Arneson
Untitled (Incised with Dark Blue Glaze)
Circa 1963
Ceramic with glaze

Robert Arneson
Untitled Ceramic (with Red Orifice)
1964
Ceramic with glaze

Robert Arneson
Untitled Covered Jar (with Green Coil and Red Triangle)
Circa 1964
Ceramic with glaze

Robert Arneson
Untitled (Striped Penis)
1968
Magna on canvas

Robert Arneson
Brick Bricks
1965
Ceramic

Robert Arneson
A Teapot?
1969
Luster glazed ceramic

Robert Arneson
Tea is a Beverage Made from the Dried Leaves of the Thea Sinensis Plant
1969

Robert Arneson
Spiked Tea
1969
Glazed ceramic with luster

Robert Arneson
Golden Rod
1969
Luster glazed ceramic

Robert Arneson
Foot/Boot (with Landscape)
1969
Ceramic

Robert Arneson
Portrait of the Artist Testing the Wind
1968
Acrylic on canvas

Robert Arneson
Frame Painting #6 (with Rainbow)
1968
Magna on canvas

Robert Arneson
Trophy Jar (with Red White and Blue Stripes)
1964
Ceramic with glaze

Robert Arneson
Mountain Brick
Circa 1969
Ceramic
7 3/4 x 8 3/4 x

Robert Arneson
Untitled (Brick with Finger Protruding, Puncture and Lumps)
1965

Press Release

The Allan Stone Gallery is pleased to present Robert Arneson: Playing Dirty, November 1-December 21, 2012, an exhibition of approximately twenty-five early ceramic sculptures and paintings by this premier Funk Artist who elevated clay as a medium and changed the definition of art. A fully illustrated catalogue will be available featuring a previously unpublished lecture by Robert Arneson and an introduction by Arneson scholar Jonathan Fineberg.

Inspired by Peter Voulkos, Robert Arneson (1930-1992) rejected the idea that ceramic artists can produce only utilitarian or decorative items and, in the 1960s, began creating nonfunctional clay pieces—contradicting the more formal traditions previously associated with this medium. These objects included often facetious renditions of household wares, such as the sexualized teapots, anthropomorphic trophies, and non-utilitarian pots and bricks of this exhibition. These works demonstrate his early but enduring appetite for mischievousness and self-deprecation as a means to charge "mud" with meaning, a quality that compelled Allan Stone to give Arneson his first solo exhibitions in New York in 1964 and 1969. Arneson’s scrappy vocabulary of dark humor, pop-culture, impulsiveness and self-reference quickly attracted national attention and by the early 1970s he had established himself as a leader of the Funk Art movement in ceramics. From the early works highlighted in this show and throughout his career, his propensity for breaking rules and testing boundaries distinguished Arneson as a significant Post-War artist.

Robert Arneson was born in Benicia, CA in 1930. In Oakland, he attended the California College of Arts and Crafts and Mills College where he received an MFA in 1958. Arneson became head of the ceramics department at the University of California at Davis in 1962 and a full professor of art in 1973. He continued to teach and produce art until his death in 1992. He received honorary doctorates from the San Francisco Art Institute and the Rhode Island School of Design, and awards from the American Academy and Institute of Arts and Letters, and the American Craft Council. Arneson’s work is included in numerous museums and public collections around the world.