Dan Basen

Collage and Assemblage 1960-1965

March 26-June 6, 2015

Dan Basen

Untitled

mid-1960s

Mixed media construction

13 x 11 1/2 x 2 in.

33 x 29.2 x 5.1 cm

Installation View

Dan Basen

Untitled (Box of Paint Tubes)

1964

Metal, glass wood, screws and paint tubes

7 1/2 x 5 7/8 x 4 1/4 in.

19.1 x 14.9 x 10.8 cm

Dan Basen

Untitled (Matchsticks)

1964

Pencil, paint and matches on paper

12 x 10 1/2 in.

30.5 x 26.7 cm

Installation View

Dan Basen

Untitled

 

1964

Matches and mixed media on paper

10 x 9 in.

25.4 x 22.9 cm

Installation View

Dan Basen

Untitled (Readymade)

1964

Fabric swatches and mixed media on paper

12 1/4 x 9 in.

31.1 x 22.9 cm

Dan Basen

Choose a Shade

1964

Mixed media on printed paper

11 x 7 1/4 in.

27.9 x 18.4 cm

Dan Basen

Life Savers

1963

Pencil and collage on paper in artist's frame

10 3/8 x 7 5/8 x 1 7/8 in.

26.4 x 19.4 x 4.8 cm

Dan Basen

Untitled (Paint Tubes)

1964

Wood and paint tubes

19 x 17 x 5 in.

48.3 x 43.2 x 12.7 cm

Dan Basen

Match-Covers

1964

Collage and pencil on paper in artist's frame

17 x 15 in.

43.2 x 38.1 cm

Dan Basen

Power Case

1964

Mixed media

9 5/8 x 9 5/8 x 2 in.

24.4 x 24.4 x 5.1 cm

 

Dan Basen

Untitled

1964

Mixed media

10 5/8 x 9 1/8 x 2 1/8 in.

27 x 23.2 x 5.4 cm

Dan Basen

Untitled

Mixed media: metal and Pepsi cola bottles

15 1/2 x 19 1/4 x 6 in.

39.4 x 48.9 x 15.2 cm

Dan Basen

Silver Box with Life Savers

1964

Mixed media box construction

2 x 11 x 13 in.

5.1 x 27.9 x 33 cm

Press Release

Allan Stone Projects is pleased to present Dan Basen: Collage and Assemblage 1960-1965, on view March 26-June 6, 2015 in conjunction with the gallery’s exhibition, Arman and César. The works on view feature the artist’s association with the ready-made tradition by reordering common manufactured items into collaged or sculptural works. Using everyday objects such as matches, candy wrappers, soda bottles, and art supplies, Basen formalized common materials into rectangular grids or assembled them in metal boxes.

 

At the core of Basen’s work is the act of stripping objects from their original intended use and highlighting their pure “objectness.” Basen’s focus is similar to that of Arman who also created vitrines of objects, achieving domination and order over the inanimate object to reflect on its materialness. As if trying to secure meaning or authority over a world becoming ever more complex and uncontrollable, Basen compelled the viewer to scrutinize everyday objects in their environment. Defeated by the battle he tried to win in his art, Basen tragically committed suicide in 1970.

 

Dan Basen was born in 1939 in Poughkeepsie, New York. The artist received his BS in Art Education from State University of New York at New Paltz in 1961, and an MFA from the Rinehart School of Sculpture at the Maryland Institute College of Art in 1963. He briefly continued his studies at the Brooklyn Museum of Art School in 1963-64. During his brief career, Basen received numerous accolades, including an annual fellowship at the Rinehart School of Sculpture (1961-63), a Hamburger Award for Sculpture from the Baltimore Museum of Art (1962), a Peabody Fellowship of the Peabody Institute of the City of Baltimore (1962), and a Museum Purchase Prize from the Baltimore Museum of Art (1963). Basen’s work has been featured in numerous museum exhibitions, including shows at the Baltimore Museum of Art and the Whitney Museum Downtown, both of which own the artist’s work, as well as the Institute of Contemporary Art in Boston, the Museum of the Rhode Island School of Design and the San Francisco Museum of Modern Art. Basen had solo exhibitions at Allan Stone Gallery, and was featured in group exhibitions at Betty Parsons Gallery, Byron Gallery, and Matthew Marks Gallery.